Category Archives: CCP News

Less than 2 weeks left!

There are less than 2 weeks left to register for your Certificate in Creative Placemaking course of study at NJIT.  The inaugural class of this exciting program is filling quickly and there are only 3 seats left!  Join this intimate class of cross-sector early, mid-career and change career professionals led by an outstanding faculty cohort of Creative Placemaking-related experts. 

Don’t miss your opportunity to achieve your professional Certificate in Creative Placemaking before the end of 2018!  This course will not be offered again
until Fall, 2019. 


For further information contact: 
info@CenterForCreativePlacemaking.com
You may register for the course here before Sept. 10th. 

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Why is NOW the right time?

chicken.eggWhat comes first, the chicken or the egg?  In a rapidly growing era of new job creation, one could argue that it is often the chicken which comes first.  At least as far as new job creation in the field of Creative Placemaking, we can make this case.  The term “Creative Placemaking,” coined by former Chair of the National Endowment for the Arts, Rocco Landesman, was used to define a longstanding practice of utilizing the arts and culture to help revitalize communities.    Landesman became the “promoter-in-chief” of Creative Placemaking in 2010 by commissioning Ann Markusen and Anne Gadwa to write a white paper for the Mayor’s Institute on City Design.  The paper defined the term and was a seminal work in making a strong case for adoption of the practice.

According to the authors of the paper, “Creative placemaking animates public and private spaces, rejuvenates structures and streetscapes, improves local business viability and public safety, and brings diverse people together to celebrate, inspire, and be inspired.”   Landesman wisely set forth to create a funding mechanism for the practice separate from dependence on federal funding.  Instead, he brought together the leading executives from a dozen foundations   Kresge, Surdna, Mellon, Irvine, Knight, McKnight, Bloomberg and others – to partner in this pioneering work.  Luis Ubiñas of the Ford Foundation was the first chair to drive the collaboration, resulting in the creation of  ArtPlace America.

From our nation’s largest urban centers to the most quaint hamlets, in these relatively short eight years, the scope and practice of Creative Placemaking has grown faster and, I imagine, far beyond what even the early dreamers could have envisioned.  Over the years, as the field has spread across sectors of planning, engineering, technology, health, sustainability, governance, community and economic development, and further, the practice has been redefined and refined.

Professionals from all of these sectors are locally engaged in one or more aspects of their creative community planning primarily through volunteerism, as jobbers or within the capacity of their current job mandates.  Yet their resumes do not reflect recognition of professional expertise in the field.  Perhaps in a CV, one can expand on a description of their experience, but in the format of a resume, one  cannot identify themselves as “Creative Placemaker” without accompanying professional certification.

Why is “now” the right time for an institution of higher education to offer this professional Creative Placemaker certification?  Simply put, recent job openings describe Continue reading Why is NOW the right time?

Certified Creative Placemaker

We are thrilled to share with you that New Jersey Instititute of Technology is offering the Creative Placemaking Certification through their Continuing Professional Education division.

This course of study will provide necessary professional accreditation for the person who wishes to be recognized as a leader of change in community. The practice of Creative Placemaking is increasingly being adopted by municipalities, counties and regions and is being applied neighborhood by neighborhood in communities large and small throughout the United States and across the globe. The time is now to develop recognized professional leaders of this practice.

The Certification course of study provides comprehensive classroom and field training in the broad principals and methodologies of the Creative Placemaking process.  The purpose of this certification course is to develop literacy, sensitivity, skills building and context of the field of practice in order for the graduate to be accepted and recognized as a leader in Creative Placemaking.

For many, this course of study will open an entirely new professional pathway.  For others, the certification will provide enhancement and professional credential for work they have already been doing.  For everyone who takes this course, the small class size, one-on-one attention, comprehensive curriculum, small group interaction and practical application will result in readiness to assume the challenges of Creative Placemaking leadership.

Core faculty for this program are Suzanne Ishee, President of the Center for Creative Placemaking, Stuart Koperweis, Vice-President of the Center for Creative Placemaking, and Dr. Colette Santasieri,  an expert in urban, environmental, civil infrastructure and land use planning.  Guest faculty from NJIT and sector-specific experts will augment the instruction.

Classes run 2 evenings per week for 10 weeks.  All classes will take place on the NJIT campus which is located in the University Heights neighborhood immediately adjacent to vibrant downtown Newark.  On campus parking will be available for class participants.  As well, the campus is easily accessible by short walk or local public transport to commuter rail stations.

http://continuing.njit.edu/creative-placemaking/

Jersey City Cultural Leader: Public Art Specialist, Duda Penteado

After settling in Jersey City from Brazil, Duda Penteado’s story is a very personal one. As a fine artist living in Jersey City during the 9/11 attacks and America in it’s aftermath, Duda made a large body of celebrated works of art reflecting these events. From museum installations to memorials made of actual steel from the Twin Towers, his art looks at this difficult piece of history through the eye of someone who experienced it from a very close distance. Learn about his process and why Jersey City is his home.

Tourism, Transportation and Workforce Development

NJRHT

An unusual gathering takes place next Wednesday, March 23rd at Fairleigh Dickinson University. The North Jersey Transportation Planning Authority (NJTPA) and the New Jersey Retail, Hospitality and Tourism Talent Network (NJRHT) have combined forces to create a symposium on Continue reading Tourism, Transportation and Workforce Development

Join CCP at the NJ Land Conservation Rally, March 18th!

landscapepic_000

The annual conference presented by the New Jersey Conservation Foundation is just around the corner.  CCP is delighted to be presenting a Creative Placemaking workshop at this 20th Annual NJ Land Conservation Rally which focuses on”The Future of Land Conservation, the Next 20 Years.”

The CCP workshop, “Creative Placemaking: Connecting People, Land and Nature,” takes place during the afternoon where we will offer a fast-paced, informative and interactive session discussing the Creative Placemaking process:  what it is, how and why it works, and how it supports smart growth both economically and institutionally. We will also have a daylong presence in the Exhibit Hall.

Whether you  are a land conservation professional, government official, an educator, an environmental consultant, trail blazer, non-profit professional, community activist or a passionate steward of the land,  The NJ Land Conservation Rally offers 31 educational sessions from which to choose, an exciting keynote speaker and tremendous networking and information gathering opportunities in the Exhibit Hall.

You can learn more and register here!  We look forward to seeing you at the NJ Land Conservation Rally, 2016!

 

 

 

 

Artists Define Creative Placemaking

A planning colleague recently posted a question asking if anyone else was encountering some confusion between the concept of placemaking and its distinction from Creative Placemaking.  Because of this very issue, the Board at Center for Creative Placemaking (CCP) has spent the better part of five years, three of which as the former Arts Builds Community Board at Rutgers University, in making a CASE for creative placemaking in New Jersey.  The CCP team has spent countless hours discussing how to bring the merits and values of our CASE (Community Development, Arts, Social Equity, and Economic Development) to the communities, organizations, and leaders that could benefit from this approach.  Getting our message out has been a labor of passion and determination that began long before CCP’s inception.  The team’s transition from ABC to CCP has opened many more possibilities for the practice of Creative Placemaking to take hold in the state, expanding the work we began as ABC by placing a stronger emphasis on issues of social equity and the role of the artist as benefactors and leaders in the creative placemaking movement.

Our distinct approach has been validated twofold in recent weeks.  The first was the success of the CCP Forum for Professional Artists and Graduate Art and Design students facilitated by NJIT on April 13, 2015.  At this event, CCP trained artists led concurrent peer to peer learning sessions that engaged other artists in a discussion about how their unique skill sets can be applied to Creative Placemaking practices.  After the peer to peer lessons concluded, all attendees reconvened to learn about incorporating concepts and principles of Creative Placemaking into transit oriented development.  This discussion was led by Colette Santasieri, PhD., Director of Strategic Initiatives, NJ Innovation Institute/ NJ Institute of Technology.  The evening ended with an open forum for questions and answers.  CCP intends to follow-up with attendees through a survey that will help our organization evaluate the effectiveness of the training as well as advance further dialogue with these key community stakeholders.

The second validation came in the form of a New York Times article published on April 28, 2015 entitled, “Council Set to Create a Cultural Plan for New York City.”   The article goes on to describe how New York City is joining other major metropolitan US cities such as Chicago, Houston, and Denver in creating its first comprehensive cultural plan.  The City Council voted 49 to 0 on the measure, and the new plan will be used to assess cultural accessibility in neighborhoods and, “study the condition of arts organizations and artist, and plan how the city will remain artist-friendly…”   The plan will include outreach in the five borough to arts groups to help identify their needs and incorporate them into a plan.  As stated in the Times, the plan will study arts education, incorporate culture into community and economic development.

Although others may see only the need to bring planners, community organizers, developers, government officials and residents to the table, CCP continues to advocate for the inclusion of artists in all Creative Placemaking endeavors.  CCP is redirecting the conversation about the role of artists in Creative Placemaking as voice for, and the recipients of social equity in the process.  This principle, in and of itself, distinguishes Creative Placemaking from placemaking.  The creative dividend sought by communities undertaking Creative Placemaking activities can never fully be reached without the continual inclusion and presence of artists.